As we noted in PART ONE, Disney’s stable of stars is so large that we couldn’t fit the ones who showed up for the Upfronts into one post. Let’s wrap these mouse-ear-wearers up, shall we?
ANGELA BASSETT IN L’AGENCE
Really cute, but the hem job is unfortunate and gives her hooves.
BILLIE LOURD
We should be railing against the fringe, but we actually really like how it’s used. It’s a great look.
BRIE LARSON
It will be a very good day for humanity when we collectively re-learn that satin is for sleeping, hair bonnets and sex but has no practical uses out in the world.
CHASE INFINITI IN ALAÏA
What a stunner of a look. She’s perfectly suited to it and also perfectly styled for it.
CHRIS PERFETTI
We kind of love this for him. He’s always pushed the boundaries with his style, but his tastes tended to run toward the flamboyant. There’s no crime in that but it’s a nice change of pace to see him something restrained, but still outside the norm. We like the subtlety of the color. We’re not sure the boots make the best choice.
CLAIRE DANES
A nun with great hair.
EWAN MCGREGOR
Everything happening between the neck and the ankles is deeply and personally upsetting to us.
JULIANNE HOUGH
The style makes perfect sense for a dancer, but the shorts look like diapers and the black pumps are giving walk of shame.
KAIA GERBER IN JACQUEMUS
The outfit’s fine but you need to lay off the tanner, Ms. Persimmon.
MANDY MOORE IN THE SEI
Great color, a little on the generic side.
OLIVIA COLMAN
She looks like the coolest lesbian pastor you ever met. Those shoes are horrifying.
PAUL ANTHONY KELLY IN GIORGIO ARMANI
It’s boring, but he can’t look anything but good in it. Stern homosexuals need to take him aside and have a word with him about his poor posing. You’re gorgeous, you idiot. Stand like it.
QUINTA BRUNSON IN HUNTER BELL
This, to us, is exactly how you’re supposed to dress for this sort of thing. It’s cute and photogenic, but it’s appropriate for a day event and isn’t too fussy, formal or flashy. She knows what she’s doing.
SARAH PAULSON
Goody Paulson needs to dial down the settings on the makeup gun.
SCOTT SPEEDMAN
It’s a fine suit in a difficult color for a white man and it needs fairly impeccable grooming and styling to work.
SHAILENE WOODLEY
The look is kind of quietly elegant until you get to those insane booties. We don’t hate them, but they need an accompanying outfit with much more personality.
TOM HIDDLESTON
Hate the flipped-up lapels and we think the shirt should be a much lighter color, if not a print.
ZACH BRAFF
Check out Mr. Company Man over here. It’s fine until we get to the Peaky Blinders shoes.
[Photo Credit: Disney/Heidi Gutman, Jennifer Graylock/INSTARimages]
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Cannes Film Festival 2026: Gillian Anderson and Hannah Einbinder at the TEENAGE SEX AND DEATH AT CAMP MIASMA Photocall Next Post:
T LOunge for May 14th 2026
Cannes Film Festival 2026: Gillian Anderson and Hannah Einbinder at the TEENAGE SEX AND DEATH AT CAMP MIASMA Photocall Next Post:
T LOunge for May 14th 2026
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Michele Pfeiffer at the Gotham TV Awards in Chanel: IN or OUT?
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Red Carpet Rundown: Motion Picture and Television Fund NextGen Summer Party in Los Angeles
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