We tend to give Miss Scarlett a hard time vis-à-vis her red carpet choices. She has a tendency to marry standard “silver screen siren” dress preferences with rather severe hair and makeup, which usually doesn’t suit the dress and never seems to suit her. And while there’s still some of that happening here, we think this is one of her better, more polished efforts in a while.
First, it’s a beautiful gown in a great color and it all suits her perfectly, but it’s poorly fitted in the bust. We suppose her makeup artist saw that Marilyn-esque dress and decided to give her a ’50s face to go with it, but it really doesn’t suit her and it looks terribly harsh – especially when it’s paired with such a tight hairstyle. We might’ve loved the original Barbie makeup more if she had a bit more of a blowout to go with it. But like we said, there’s more wrong than right here. The dress is nearly perfect and the jewelry is stunning. Just let your hair down, girl.
Style Credits:
– Armani Privé Crystal-embellished Dress with Plunging Neckline
– Taffin Jewelry
– Stuart Weitzman Polar Silver Reflector ‘Nudist’ Sandal
Styled by Molly Dickson | Hair by Jenny Cho | Makeup by Frankie Boyd
[Photo Credit: Hahn Lionel/ABACA/INSTARimages.com, Sara De Boer/startraksphoto.com]
Our book “Legendary Children: The First Decade of RuPaul’s Drag Race and the Last Century of Queer Life” comes out on March 3rd and was named one of the Best New Books of 2020 by Cosmopolitan!
Paris Fashion Week: Louis Vuitton Fall 2020 Menswear Collection Next Post:
SAG Awards 2020: Renée Zellweger in Maison Margiela
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