Trust Chappell Roan to take the ballet core trend literally. Also trust her to elevate it to drag levels. The “Good Luck, Babe!” singer has always had an exuberantly queer public style and she sauntered onto the Grammys red carpet delivering more of the same. We gave this look our approval in our Cosmo writeup, but in the light of day, we have some quibbles.
While the design clearly calls for some over-the-top styling, we kinda think that once you commit to the neon yellow Degas ballerina skirt, you can go a little easy on the accessorizing. We realize that minimalism isn’t her bag, but we’d love to see this dress with the head poof, gloves, or focus-pulling boots. Then again, if you got rid of all that, the drag beat wouldn’t make much sense. We guess what we’re saying is, we’d love to see this dress styled differently, but it’s styled perfectly for her preferences and persona.
Style Credits:
– Archival Jean Paul Gaultier Ensemble from the Spring 2003 Couture Collection
– Anabela Chan Canary Cushion Wing Studs
– Djula Mini Start Burst Earrings Set in 18K Gold
– John Fluevog Mini Sugar Candy Buckled Tall Boots with Zipper
Styled by Genesis Webb | Hair by Dom Forletta | Makeup by Andrew Dahling | Nails by Juan Alvear
[Photo Credit: Photo: Stewart Cook/CBS, Phil McCarten/CBS, Francis Specker/CBS, Matthew Taplinger/CBS, Matt Winkelmeyer/Getty Images for The Recording Academy, Kevin Mazur/Getty Images for The Recording Academy, fluevog.com, style.com]
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