
Olivia Colman, ALexander Skarsgard, Elizabeth Debicki and Peter Dinklage attended the premiere of their film Wicker at the Sundance Film Festival.

They each had distinct ideas about what constitutes Sundance style.
Alexander Skarsgård in COS


This is… perfect? And doesn’t feel like a stunt of some sort? What’s the gag here, Alexander? Are those pants assless or something? Jokes aside, he’s serving 1991 realness and it suits him very well.
Olivia Colman

The whole look is a black void, but we tell – by peering intently – that the jacket has an interesting shape to it. Sundance is the one place where you won’t hear us complaining about turtlenecks on the red carpet, but we do think she’d have benefitted from one in a deep color.
Peter Dinklage

Casualness isn’t a crime here, so we won’t ding him for it, especially because the jacket’s pretty nice and the t-shirt’s pretty funny.
Elizabeth Debicki in Botegga Veneta


If the outfit provided the type of coverage and cozy comfort Sundance tends to require, we’d be a little okay with its weirdness, but considering she’d have to be freezing in this thing, we don’t get the point of its big shapelessness or the flimsy after thought of that skirt. Imagine her in a pair of jeans, boots, and a big cowl neck sweater. Sundance style isn’t hard, people. You don’t have to do this to yourselves.
ABOUT THE MOVIE:
A fisherwoman asks a basketmaker to weave her a husband.
In their audacious and delightful follow-up to 2020’s Save Yourselves!, Sundance Film Festival alums Eleanor Wilson and Alex Huston Fischer adapt and expand Ursula Wills’ beguiling short story about envy, commitment, and the trappings of societal norms. Wilson and Fischer bring this medieval oddball village to life with an all-star cast and generous helpings of wry wit. Olivia Colman’s sardonic fisherwoman flies in the face of expectations and assuredly unravels tradition as she fights for the relationship she wants and the treatment she deserves from Alexander Skarsgård’s enigmatic and composed wicker man. Part fable, part historical comedy, and fully eccentric, Wicker invites us to reconsider and even set alight the stories we’ve told ourselves about marriage, creating space for true romance to unfold. — AS (Sundance Film Festival)
[Photo Credit: Sam Emenogu, Courtesy of Sundance Institute]
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