
The stars came our for the Cannes Film Festival premiere of The Man I Love in some fairly impressive looks, which we will now rip to shreds with our mean words.
ALEXA CHUNG IN DIOR


It’s a design that’s trying to do too much. The neckline is elegant, but everything gets incredibly awkward around the waist. The skirt is pretty, but the way it’s married to the bodice couldn’t be more terrible. It’s to her credit that she’s almost making this work.
DEMI MOORE IN THOM BROWNE


It’s okay. The “necktie” is kind of dumb, and we suspect it was meant to be tied like a tie. The earrings are amazing.
HALSEY IN VIVIENNE WESTWOOD


She keeps going for these hellaciously overwrought and tacky dresses that don’t suit her at all. If you removed all of the black elements, this would be vastly improved, but it still wouldn’t look great on her. We kinda like the hair and makeup, but they only tend to highlight how stale the dress is.
RAMI MALEK IN ZEGNA


Flawless and he knows it.
RUTH NEGGA IN LOEWE


Talk about an unresolved design. It’s like they just wandered away from the dress form and forgot about it. The color’s kind of nice but those half-assed sleeves are terrible and she DESPERATELY needs to fire her makeup team.
TOM STURRIDGE IN DIOR


For a standard tuxedo, it’s almost impressive the number of ways he’s wearing it wrong: collar, cuffs and scarf all look goofy as hell. Stylists and guystars keep trying to figure out a way to make classic men’s formalwear edgier, but it really was designed to be worn one way and when it is, it’s universally flattering. Stop trying to be cute about it.
ABOUT THE MOVIE:
THE MAN I LOVE
Set in the vibrant era of late 80s New York, the film follows Jimmy George, a Downtown performance artist in an extraordinary moment between great illness and death when, still, all beauty and love is possible.
Directed by Ira SACHS
Cast: Rami MALEK, Tom STURRIDGE, Luther FORD, Rebecca HALL, Ebon MOSS-BACHRACH
[Photo Credit: IPA/INSTARimages]
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